| Foreword by Bob Clendenin |
13
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| Introduction |
15
|
| Acknowledgments |
19
|
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| Part One: Mindset |
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| Chapter 1: What's Important? |
23
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| Chapter 2: What's My Type? |
31
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| Chapter 3: Reinvention |
45
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| Chapter 4: Commitment |
47
|
Chapter
5: The Costs of Acting
|
59
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| Chapter 6: Actor Mind Taffy |
77
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|
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| Part Two: Prep |
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| Chapter 7: Training |
87
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| Chapter 8: Resources |
95
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| Chapter 9: The Shady Stuff |
105
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| Chapter 10: Premature Moves |
117
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| Chapter 11: Union Membership |
125
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| Chapter 12: Prep for Young
Actors |
133
|
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Part Three: Materials
|
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| Chapter 13: Headshots and
Resumés |
147
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| Chapter 14: Demo Reels |
165
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| Chapter 15: Websites |
191
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Chapter 16: Monologues
|
203
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Part Four:
People
|
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Chapter 17:
Agents and Managers
|
209
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Chapter 18:
Casting Office Personnel
|
231
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| Chapter 19: Publicists |
243
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| Chapter 20: Relationships |
251 |
|
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Part Five:
Practice
|
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Chapter 21:
Submissions
|
259
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Chapter 22:
Drop-offs
|
275
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Chapter 23:
Getting Around
|
281
|
Chapter 24:
Auditions
|
291
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Chapter
25: On the Set
|
317
|
Chapter 26:
Self-Promotion
|
333
|
Chapter
27: Working the Room
|
343
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| Chapter 28: Survival Jobs |
353 |
Chapter 29:
Gratitude
|
367
|
|
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Part Six: Niches
|
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Chapter 30: Soaps
|
373
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| Chapter 31: Commercials |
375 |
| Chapter 32: Reality TV |
383 |
Chapter 33:
Hosting
|
389
|
| Chapter 34: Student Films |
397
|
| Chapter 35: Voiceover |
403
|
Chapter 36: Theatre
|
411
|
| Chapter 37: Showcases |
419
|
Chapter 38: CD Workshops
|
429
|
|
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| Part Seven: Advanced SMFA |
|
| Chapter
39: Taking the Meeting |
437
|
| Chapter 40: Transitions in
Representation |
447
|
| Chapter 41: Hedging Your Pilot
Season Bets |
457
|
| Chapter
42: Negotiating a Deal |
467
|
| Chapter
43: Working the Red
Carpet |
473
|
| Chapter 44: Trust |
481 |
| Chapter 45: Mentoring |
489 |
| Chapter
42: When To Quit |
495
|
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In Closing
|
503
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| About the Author |
511
|
| Index |
513
|